In the second half of Goon Squad, many of the characters end up…surprisingly OK, especially when you consider their struggles and self-destructive capacity displayed in the first half. Bagg and Dukes talk about whether the happy-ish outcomes are earned, and meditate on Proust’s epigram about memory. They wonder if the opposite of time as a ravager would be “Time, The Accepted Force that Propels Our Life Forward for Better or Worse?”
Episode 13: “Time the Ravager” or Jennifer Egan’s 2010 A Visit From the Goon Squad, Part I
After a camel cricket update (!), Jesse and Chris try to untangle the conga line of affection and destruction that forms the structure of Egan’s remarkable 2010 Pulitzer Prize-winning novel. Bagg plays the babyface/fanboy while Dukes combines admiration for Egan’s craft with a deep sense of discomfort with the characters’ circumstances. We wrap it up with some trivia about titans of tech and shoplifting spin.
Episode 12: “Hitler’s Springtime + Ziegfried’s Follies,” or Neal Stephenson’s Cryptonomicon, Part III
Play along with Dukes and Bagg as we play Neal Stephenson Bingo. We find that the final third does pick up a bit, with Goto Dengo’s story in particular providing a satisfying character arc. There are moments of DENSE AND BEAUTIFUL PROSE and descriptions of MATH EMBODIED, but we also find that too often, PLOT IS GREATER THAN CHARACTER DEVELOPMENT, leaving both UMBs a bit frustrated (and many characters suddenly dead).
Episode 10: “Underlying Math Skeleton” or Neal Stephenson’s Cryptonomicon, Part I
Bagg and Dukes are…a little tired of Neal Stephenson, but our two codebreaking huffduff operators soldier on into Stephenson’s large 1999 novel Cryptonomicon. Haiku-composing marines, lots of math via bicycle chains and other analog metaphors, passive-aggressive academic tracts about beards, and Stephenson’s solving of an earlier problem of his: simply write two books but connect them via plot.
Episode 9: “Underwater Burning Man,” or Neal Stephenson’s The Diamond Age, Part II
Dukes and Bagg talk scruffiness and the virtues of whiskers more broadly. Then they complain about Stephenson’s propensity to want to write three books into every book, his tendency to orphan MacGuffin’s and the challenge of sorting out whether the reader’s disorientation is intended, or the result of sloppiness. But for it all, the UMBs agree this is Stephenson’s most ambitious and thoughtful work of this career thus far.
Episode 8: “Stephenson’s a flame-kindling kind of guy,” or Upper Middle Brow Phones a Friend
We hit pause on recapping, and talk the intersection of education and technology with a genuine educational technologist, Professor Justin Reich (and the man who introduced Dukes + Bagg). Justin considers Stephenson’s take on the ancient debate about whether education resembles “filling a pail” or “kindling a flame” and notes his preoccupation with the probabilistic nature of education tech.
Episode 7: Neal Stephenson’s The Diamond Age, Part One, or “Nitrates, Nitrites, Nitrotes, and Nitrutes”
Bagg proposes Dukes would live in Dovetail in this scenario, and the UMBs set off to untangle this ambitious and elaborate neo-nano-steampunk plot. We note Stephenson’s obsessions with chaos v. order, hypocrisy v. moral relativism, and his love for characters whose ethnicity and racial identity are surprisingly matched.
Episode 6: Neal Stephenson’s Zodiac, Part Two, or “Cran-Razz with your Deus ex Machina?”
After blowing off steam about the pronunciation of “Natick” in the audio book, Dukes and Bagg reflect on the challenges of reigning in Stephenson’s “firehose of talent” and speculate about which of the three (or four) possible ending climaxes should have been chosen for this book.
Episode 5: Neal Stephenson’s Zodiac, or “Poorly Foreshadowed Dorking”
Chris and Jesse try to figure out where Zodiac sits in the upper-middlebrow spectrum. Dukes wishes he could have commuted around Chicago a la Sangamon Taylor, Stephenson’s protagonist, and we discuss whether the dorking is premature or not. We ask “do camel crickets leap at your face?”
Episode 4: Patricia Highsmith’s The Talented Mr. Ripley, Part Two, or “Coach Class on the White Boat”
Bagg and Dukes dive into the second half of Highsmith’s “mystery in reverse.” They discuss whether it should have been harder for Tom to get away with murder and how Tom’s rationalizations can feel too realistic.