Save the Date: The Talented Mr. Ripley, Live Taping, with Jeph Wilkinson.

Join us live on May 19th as we watch and discuss "The Talented Mr. Ripley"

Join us Thursday, May 19th at 4pm PDT / 7 PM EDT for a live viewing and taping of Anthony Minghella’s 1999 masterpiece, The Talented Mr. Ripley. Dukes and Bagg think of this as the BEST of the many excellent Tom Ripley films. It stars Matt Damon Tom Ripley, and the amazing cast includes Gwyneth… Continue reading Save the Date: The Talented Mr. Ripley, Live Taping, with Jeph Wilkinson.

Episode 84: “Unnatural Intimacy,” or Bram Stoker’s Dracula, Part I

Neither of the lads had read Stoker’s classic gothic novel, published in 1897, and they suspect that many readers are in the same boat. Over 100 years of vampiric pop culture have made Stoker’s masterful compiling of folklore fade into the background, but the book that launched a thousand bites is bracing, inventive, funny, haunting, and innovative. Chris and Jesse talk about atmosphere, forced intimacy, the anxieties of Victorian society, and the grand missed opportunity of Dracula’s cancelled cooking show.

Episode 83: “I Made a Friend, and Now He’s Dead” or Liliana Calvani’s Ripley’s Game

Chris and Jesse watched this movie together nearly 20 years ago, and it made an impression, due to John Malkovich’s memorable, creepy, and charming take on Tom Ripley. Director Calvani seems to enjoy making this Ripley seductive, so that the viewer realizes with horror that we kind of like him, and just like poor Jonathan… Continue reading Episode 83: “I Made a Friend, and Now He’s Dead” or Liliana Calvani’s Ripley’s Game

Episode 82: “Cocaine was Invented for Times Like These,” or Roger Spotiswoode’s Ripley, Underground

The lads get all aughty with Roger Spotiswoode’s charming and unthreatening Ripley, Underground, where Tom Ripley is a glib opportunist instead of the darker, unpredictable Ripleys. The result is an entertaining romp that feels a little like going to a Bare Naked Ladies show: you probably won’t go again but it was fun while it lasted. It’s a welcome addition to the Ripley Cinematic Universe, bringing back an air of fantasy to Highsmith’s invention.

Episode 81: “LA Light, LA Darkness,” or Robert Altman’s The Long Goodbye w/Professor Peter Lunenfeld

UCLA professor Peter Lunenfeld joins us to talk about Robert Altman’s neo-noir based on Raymond Chandler’s novel. Some reviewers call the film “satirical” but we argue, it’s more a riff than a satire. It treats the source material lovingly, even as it updates it to match the 70’s zeitgeist. Our guest Peter argues that the elusive Courry Brand cat food is a metaphor for the film, something that is labelled one way, but containing the unexpected.

Episode 80: “Frames, Trains, and Burning Automobiles” or Wim Wenders The American Friend

The American Friend is loosely based on Patricia Highsmith’s third Tom Ripley novel Ripley’s Game. But Wim Wenders plays fast and loose with the source material, borrowing elements of another novel Ripley Underground and referencing Easy Rider, Rebel Without a Cause, and other cinematic forebears. The visuals are beautiful, and even if the plot is a bit puzzling, the lads find the mood of the film compelling.

We have a Patreon! https://www.patreon.com/c/upper_middle_brow
And a Discord server!
https://discord.gg/h734EZ3hBU

Episode 79: “A Creeping Tom,” or René Clement’s Plein Soleil

Chris and Jesse charge into our next group of works, Ripley en Filmes, beginning with René Clement’s visually stunning 1960 film Plein Soleil, an adaptation of Patricia Highsmith’s The Talented Mr. Ripley. Clement casts Alain Dumont as Tom Ripley, Maurice Ronet as Philippe (a renamed Dickie Greenleaf), and Marie Laforêt as Marge. Clement makes some major divergences from Highsmith’s plot in some places while hewing closely to it in others, leading to an interesting discussion about directors’ responsibility to their source material. The lads are both thirsty for Alain Dumont, but does the plot rise to the level of the film’s metaphorical weight?

Episode 65: “Our Play with Louis,” or Louis Malle’s Vanya on 42nd Street

Photo courtesy of the Criterion Collection

Bagg and Dukes watch Louis Malle’s wild 1994 film that takes, as its subject, a rehearsal of Andre Gregory’s…”performance” of Anton Chekhov’s Uncle Vanya. If that sounds convoluted, it is. Gregory and an amazing cast (Julianne Moore, Wallace Shawn, Larry Pine and more) rehearsed the play in a dilapidated theater, inviting a few guests each night to watch what they were working on. Malle’s film shoots an entire performance/rehearsal, nesting the theatrical performance in his own film. Yikes.

Digression: Demented Whimsy with Joshua Mohr.

Writer Joshua Mohr joins us to talk shop about his recent book Farsickness. The idea began with watching his daughter and her friends create short dramatic productions for his neighborhood, during COVID. He talks about the virtues of supposedly “hapless” protagonists, collaborating with his daughter, and how COVID should have taught us to pursue the art we crave the most.