The second half of Feinstein’s book of minor league baseball stories and characters feels very much like the first half. The reporting is extensive, and Feinstein has a knack for the well described scene, brief characterization, and finding the drama in the everyday. In spite of those virtues, the book continues to overwhelm the reader… Continue reading Episode 98: ‘Minor League Stew,’ or John Feinstein’s Where Nobody Knows Your Name, Part II
Category: Uncategorized
Episode 96: “The Clustercus,” or David Halberstam’s The Amateurs, Part II
In the second half of Halberstam’s nonfiction account of the 1984 sculling Olympic trials, we go to the Olympics, to see how Biglow, Lewis, Wood, et al fare at the world’s most famous sports event. 5 major characters each have big stakes, and while the actual events cluster together, Halberstam keeps the reader focused on the drama. The results are predictably mixed, and one wonders if the work these Olympians go through is worth it.
Structurally, the second half of the book remains tight, perhaps even tighter than the first half, and all of the loose ends, questions, and promises of the first half are fulfilled in the second half. It’s not entirely atisfying, but neither, as we learn, is amateur athletics in a low-glamor sport.
Episode 95: “Don’t Catch Crabs,” or David Halbertstam’s The Amateurs, Part I
We continue Bagg’s “Revenge of the Jock-Nerds” series (the last series of Season Three!), with David Halberstam’s The Amateurs, which tells the story of four men competing for the single solo sculling spot on the 1984 Olympic team. Halberstam, who usually worked on more popular sports and in bigger political arenas, offers a nuanced glimpse into the small, hermetic, oral world of American rowing, where athletes compete in a sport where “the rewards cannot justify the efforts.”
Live Draft Tonight
If you want to join us for the live taping, please RSVP here. We’ll email you the joining information.
Episode 94: “Chewing Glass” or Tim Krabbe’s The Rider
Tim Krabbe’s novel is barely a novel. It is a thinly veiled autobiogrpahical essay, with fictional details and composite characters, allowing the author to navigate his story just to one side of the fiction/nonfiction divide. The lads ponder why it does not fall into the “bike porn” genre, and why the images of teeth and glass continually emerge.
Episode 94: “A Swiftly Flattening Universe,” or Cixin Liu’s Death’s End, Part II
The lads wrap up Cixin Liu’s sprawling and massive Three Body Trilogy, building something that somehow seems to transcend traditional literary structures and devices. We look back at how far this particular plot has wandered from whence it came, and both Jesse and Chris are impressed at Liu’s ability to continue adding obstacles and stakes without letting the book fall apart. Still, there is a lot of plot to find a way through—does the grandness of the project match the execution?
Episode 92: “It’s So Dark,” or Cixin Liu’s The Dark Forest, Part II
The boys carve through the second half of Cixin Liu’s sprawling, imaginative, and haunting The Dark Forest. Bagg has questions about how much we can trust our author and the characters he uses to make his plot work, while Dukes identifies the fact that the most important “character” in this novel is humanity itself. Regardless of your opinion of this quixotic book, you cannot dispute the ambition of its author—and his ability to transform his imagination into an ever-expanding epic.
Episode 91: “All Chess Pieces, No Chess,” or Cixin Liu’s The Dark Forest, Part I
The premise of the Dark Forest, that Humanity must make a secret plan stored in our hidden thoughts to defeat an enemy that can spy on our every move, is wonderful. But the lads find the action in the first half a bit tepid, as Cixin Liu builds sets up the chess pieces we expect he’ll start knocking down in the second half of the book. There are some hot spots, and wonderful moments, including a depiction of the best group photo ever taken, but you have to read through a lot of narrative chaff to find htem.
Here is the video of a six year old watching Star Wars for the first time with his Dad. Hint, at the end, the kid says “It’s the most amazingest thing I’ve ever saw in my whole entire, whole entire, whole entire, whole entire life.”
And here is the Hildebrandt Brothers poster art for Star Wars, using models who were not actually Carrie Fisher or Mark Hamill.
Episode 90: “An Egg Slicer Through a Supertanker,” or Cixin Liu’s The Three Body Problem, Part II
The lads host their first UMB Official Sports Update as Jesse manages to survive a weekend of ultimate frisbee before getting into the second half of Cixin Liu’s sprawling and ambitious The Three Body Problem. The UMBers revisit some of our old friends, like Neal Stephenson’s habit of setting up narrative chessboards for a long time and eventually letting the game unfold, examining if Liu’s narrative setups have plausible payoffs. They also identify some of the “hapless protagonist” effect they’ve seen before in The Diamond Age and The Arrest, and talk about Liu’s claim that his work does not allegorize IRL history and action. Despite some misgivings, Jesse is excited for his third time through the subsequent two books, and Bagg is also looking forward to discovering how the earth responds to the Trisolaran “problem.”
Digression: Solo Canoe Sailing on Long Lake
Friend of the show Justin shares another update, as well as his foray into what he terms Contemporary Victorian Episolary Short Travel Non-Fiction. Justin is paddling a solo canoe (and often carrying the canoe) along the 700 Mile Northern Forest canoe trail, and we are digressing from our regular programming to share his dispatches. We… Continue reading Digression: Solo Canoe Sailing on Long Lake
Digression, From the North Woods with Justin Reich
We reach Upper Middlebrow education expert Justin Reich on the Northern Forest Canoe Trail, at the edge of mobile phone reception. He gives us a dispatch, mid journey, from a rather literary setting. Justin is finishing his sabbatical with nothing but a canoe, a backpack, a couple of paddles, and aluminum pole (for poling up… Continue reading Digression, From the North Woods with Justin Reich
Episode 87: “A Dude who Made a Dude,” or Mary Shelley’s Frankenstein, Part I
Mary Shelley was 18 when she started writing Frankenstein, which many consider the first science fiction novel. Over the next twenty years, she revised the book several times, and the version she left behind remains a remarkable work of imagination. Shelley is amazingly inventive and talented, but the lads find th novel to be hard going, and a slow starter. They wonder at the use of framed narratives, and how long the book takes to give Frankenstein’s creation a voice.
Episode 86: “A Study in Structure,” or Arthur Conan Doyle’s A Study in Scarlet
The lads go bananas over Arthur Conan Doyle’s first Sherlock Holmes mystery, “A Study in Scarlet,” published in 1887. We meet the mercurial Sherlock Holmes and his by turns skeptical then credulous biographer, Dr. John H. Watson, late of Afghanistan. The short novella or long short story wastes no time in driving towards the solving of its central mystery, but then makes a strange swerve into the American West and a bout of extended exposition. Chris and Jesse spend a rollicking hour discussing the book and excavating its odd structure. The final verdict? Two pills up.
Ep 85, “Science vs. Evil” or Bram Stoker’s “Dracula”, Part II
Bram Stoker arrays his crew of brave companions against what they’ve finally realized is an ancient un-dead evil. And the author seems to be elling us something about the nature of the human capacity for scientific inquiry, and love.
The lads detect a bit of the old “chessboard problem”, the name we’ve given to an author’s struggle to create a compelling third act while artfully tieing up all the character arcs and loose ends established in the first acts. But Bram Stoker’s inventiveness and lyrical prose keeps the novel highly readable until the thrilling ending, which manages to be poetic, moving, and suspenseful.
Episode 80: “Frames, Trains, and Burning Automobiles” or Wim Wenders The American Friend
The American Friend is loosely based on Patricia Highsmith’s third Tom Ripley novel Ripley’s Game. But Wim Wenders plays fast and loose with the source material, borrowing elements of another novel Ripley Underground and referencing Easy Rider, Rebel Without a Cause, and other cinematic forebears. The visuals are beautiful, and even if the plot is a bit puzzling, the lads find the mood of the film compelling.
We have a Patreon! https://www.patreon.com/c/upper_middle_brow
And a Discord server!
https://discord.gg/h734EZ3hBU